Architectural Design Profile nº 112.

"Multi-source synthesis: Interactive Urbanism" / Guy Battle, Christhoper McCarthy, p. III. -

"Dynamical Symmetries: Mathematical synthesis between chaos theory (complexity), fractal geometry and the golden mean" / Nigel Reading, p. XII. -

"Bank of Luxembourg Headquarters" / Arquitectonica, p. XIX. -

"Between Architecture and Film" / Michel Dear, p. 8. -

"Space in Time: Filming Architecture" / Murray Grigor, p. 16. -

"At home with replicants: The architecture of Blade Runner" / Andrew Benjamin, p. 22. -

"Architectural experience as discourse of the (un)filmed" / Nikos Georgiadis, p. 26. -

"Echo and Narcissus" / Kester Rattenbury, p. 34. -

"Cinema and architecture: Overlaps and counterpoints: Studio-made features in the film industry and studio-based experiments in architectural education" / François Penz, p. 38. -

"Exhibition and set designs" / Daniel Libeskind, p.42. -

"The UFA Cinema Centre: Splinters of light and layers of skin, Dresden" / Coop Himmelb(l)au, p. 48. -

"Johns + Gorman Films, Hollywood, Los Angeles" / Schweitzer Bim, p. 56. -

"Propaganda Films: Directors' building, Hollywood, Los Angeles", p. 60. -

"Film as architecture as film, Times Square, New York" / Hani Rashid, Lise Anne Couture, p. 62. -

"Cinema conversion, Fife, Scotland" / John Hope Architects, p. 75. -

"International Centre for Film and Television, Bucharest, Romania" / Westfourt Architecture, p. 76. -

"Open air cinemas - The imaginary by night, Athens" / Nikos Georgiadis, p. 80. -

"Imax Cinema, South Bank, London" / Brian Avery, p. 84. -

"Fade in fade out, Karlsruhe, Germany" / Dominic Papa, Jonathan Woodroffe, p. 86. -

"Disney, reality-film-reality transference", p. 88. -

"Architecture and film" / Lorcan O' Herlihy, p. 90. -

"Architecture and cinema, The Architectural Association, London" / Lorcan O' Herlihy, p. 94.

Espólio do Arq. Victor Consiglieri.